(Until Madame Jeanne LeGrand finds them, at least.) They assume she is one of them and Claire delights in the misunderstanding, finally freed from the constraints of “proper” behavior to act however she chooses. You see it in the scene where Claire talks to the sex workers in the brothel. Jamie may be her chief reason for returning to the 18th-century, but she is allowed to be free here in a way she was not within the rigid social structure of 1950s upper class suburban Boston. There is a vivacity to her demeanor that was missing when Claire was in 20th-century Boston. They spend the day together, afraid to let the other one out of their sight.Ĭlaire delights in learning about Jamie’s world - the one that will presumably become hers, as well. It takes time, but, for one, time is one their side. Claire and Jamie still fit, but that doesn’t mean they remember how to align the pieces. At first, it is understandably awkward between the two. He is emotionally healthy, but he is emotionally comfortable.Ĭlaire returning changes all of that. But he doesn’t have anyone like Claire or Jenny to challenge him to feel. Willoughby, and family like Young Ian and Fergus. It’s not that Jamie doesn’t have people in his life. He doesn’t have the same emotional risks, it seems, when it comes to his relationships. Still, while Jamie’s life has its risks, it is relatively low key. As we learn later in the episode, Jamie smuggles alcohol from other parts of the world into Scotland. He rents a room in a brothel (though doesn’t partake in the services) and has a dangerous business as part printer, part smuggler. Jamie’s life as Alex is that of a bachelor.
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